Normal Bias » 1995 http://www.normalbias.org Archiving old cassettes before they snap Mon, 14 Nov 2011 00:17:08 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 2007 normalbias-org@laze.net (Normal Bias) normalbias-org@laze.net (Normal Bias) 1440 http://www.normalbias.org/wp-content/plugins/podpress/images/powered_by_podpress.jpg Normal Bias http://www.normalbias.org 144 144 Archiving old cassettes before they snap Normal Bias Normal Bias normalbias-org@laze.net no no East Coast Tribe: “33 1/3: First Day of School” [1993] http://www.normalbias.org/2011/02/02/east-coast-tribe-33-13-first-day-of-school/ http://www.normalbias.org/2011/02/02/east-coast-tribe-33-13-first-day-of-school/#comments Wed, 02 Feb 2011 19:46:46 +0000 laze http://www.normalbias.org/?p=268 Today, I’ve got some underground, early-90s, Atlanta hip-hop for you.

Here’s a little information, provided by Martay himself:

The East Coast Tribe was formed like most other collectives… pure happenstance.

Here’s a chronology…1st there was Reign of Terror: Legendary, Rhythmlord and Martay who were doing shows with the likes of MC Hammer and Rob Base just out of high-school.

Martay went on to ATL to college at Georgia Tech. He did solo shows with Success-N-Effect and other local groups in the area. One Tech Student, Transcribe (Clock Master K at that time) came to the show with his P.E. button and t-shirt on (for the record, Mike Luttrell predicted that Martay would end up hanging out with that guy when he saw him come to the show clearly different than the crowd that came to see “Roll it Up”). Transcribe had an emcee buddy named Dave a.k.a. MC Prophet (together White Noise) who had a buddy from Texas named Barry Winkler. Well, Martay did begin hanging out with Transcribe and the guys in ATL.

Meanwhile Rhythmlord met B-Right through a friend name DA… B-Right was looking to “get on” with some cats that did music. Well, Rhythmlord did music and Martay happened to come out one day to meet B-Right too.

Things kept brewing and soon after DJ K-ski fresh from service in the 1st Iraq conflict joined B-Right and it was on. Transcribe did music for Martay and B-Right who along with K-Ski formed a group called Tribal Science.

They decided to form a collective that included Martay, The Hip-Hop Wiz, Reign of Terror, B-Right, Transcribe and DJ K-Ski. The collective would be dubbed the East Coast Tribe and they’d later grow into a management company representing nine talented artists, all told.

To officially christen the East Coast Tribe, Barry Winkler, ever the entrepreneur started Bahari Records and their first release was an EP that included songs from Tribal Science and Martay…knowing they had a lot to learn about the biz (what an understatement) they dubbed the EP 33 1/3: First Day of School… it was released on Vinyl and cassette in 1993.

After the release of First Day of School, Martay and B-Right formally joined forces with Barry Winkler on both Bahari Records (later the home to J. Bond & DJ Goldfinger and The Wamdue Project among others) as well as ECT, Inc. (the aforementioned management company).

I asked Martay about the photo on the cover. He told me, “It’s Barry Winkler, the original founder of Bahari Records. We thought it appropriate as the 1st release… the 1st day of our school in the industry… to pay homage to the man who had the guts to finance a record company.” Good stuff.

After listening to this tape for the first time in many years, I was reminded how good it is. While it’s indicative of the time it was made, it’s not really like anything else of the era. There are influences, but it’s very much original. I think fans of early 90s hip-hop will dig it.

Here’s a rip of the cassette release of 33 1/3: First Day of School, an album I enjoy to this day. There are no mentions of it anywhere else on the web aside from two links from my site and a mention by Flash from an old issue of HardC.O.R.E.. Enjoy… I’ve got some more Bahari goodness coming your way.

East Coast Tribe: 33 1/3: First Day of School (.zip, 320k, 74 megs)

  1. Scientific Swiftness… Tribal Science
  2. Smokin Joints… Tribal Science
  3. What You Wanna Do… Martay, the Hip-Hop Wiz
  4. Soul and Self… Tribal Science
  5. Playin Emcees… Martay, the Hip-Hop Wiz
  6. Come to Work

… and, just for a fun, a bonus track that I produced for Martay for a compilation I released back in 1995 titled The People Under the Stairs. It was my first long-distance collaboration and involved sending my 4-track cassette to Martay through the US mail, waiting for him to record his verse and then send it back. You kids these days have it so easy with your crazy Internet bandwidth. (This track is also in the zip file.)

Martay, the Hip-Hop Wiz (prod. Laze): “Strictly for the Love”

]]> http://www.normalbias.org/2011/02/02/east-coast-tribe-33-13-first-day-of-school/feed/ 1 0:03:47 Today, I’ve got some underground, early-90s, Atlanta hip-hop for you. Here’s a little information, provided by Martay himself: The East Coast Tribe was formed like most other collectives… pure happenstance. Here’s a chronology…1st there[...] Today, I’ve got some underground, early-90s, Atlanta hip-hop for you. Here’s a little information, provided by Martay himself: The East Coast Tribe was formed like most other collectives… pure happenstance. Here’s a chronology…1st there was Reign of Terror: Legendary, Rhythmlord and Martay who were doing shows with the likes of MC Hammer and Rob Base just out of high-school. Martay went on to ATL to college at Georgia Tech. He did solo shows with Success-N-Effect and other local groups in the area. One Tech Student, Transcribe (Clock Master K at that time) came to the show with his P.E. button and t-shirt on (for the record, Mike Luttrell predicted that Martay would end up hanging out with that guy when he saw him come to the show clearly different than the crowd that came to see “Roll it Up”). Transcribe had an emcee buddy named Dave a.k.a. MC Prophet (together White Noise) who had a buddy from Texas named Barry Winkler. Well, Martay did begin hanging out with Transcribe and the guys in ATL. Meanwhile Rhythmlord met B-Right through a friend name DA… B-Right was looking to “get on” with some cats that did music. Well, Rhythmlord did music and Martay happened to come out one day to meet B-Right too. Things kept brewing and soon after DJ K-ski fresh from service in the 1st Iraq conflict joined B-Right and it was on. Transcribe did music for Martay and B-Right who along with K-Ski formed a group called Tribal Science. They decided to form a collective that included Martay, The Hip-Hop Wiz, Reign of Terror, B-Right, Transcribe and DJ K-Ski. The collective would be dubbed the East Coast Tribe and they’d later grow into a management company representing nine talented artists, all told. To officially christen the East Coast Tribe, Barry Winkler, ever the entrepreneur started Bahari Records and their first release was an EP that included songs from Tribal Science and Martay…knowing they had a lot to learn about the biz (what an understatement) they dubbed the EP 33 1/3: First Day of School… it was released on Vinyl and cassette in 1993. After the release of First Day of School, Martay and B-Right formally joined forces with Barry Winkler on both Bahari Records (later the home to J. Bond & DJ Goldfinger and The Wamdue Project among others) as well as ECT, Inc. (the aforementioned management company). I asked Martay about the photo on the cover. He told me, “It’s Barry Winkler, the original founder of Bahari Records. We thought it appropriate as the 1st release… the 1st day of our school in the industry… to pay homage to the man who had the guts to finance a record company.” Good stuff. After listening to this tape for the first time in many years, I was reminded how good it is. While it’s indicative of the time it was made, it’s not really like anything else of the era. There are influences, but it’s very much original. I think fans of early 90s hip-hop will dig it. Here’s a rip of the cassette release of 33 1/3: First Day of School, an album I enjoy to this day. There are no mentions of it anywhere else on the web aside from two links from my site and a mention by Flash from an old issue of HardC.O.R.E.. Enjoy… I’ve got some more Bahari goodness coming your way. East Coast Tribe: 33 1/3: First Day of School (.zip, 320k, 74 megs) Scientific Swiftness… Tribal Science Smokin Joints… Tribal Science What You Wanna Do… Martay, the Hip-Hop Wiz Soul and Self… Tribal Science Playin Emcees… Martay, the Hip-Hop Wiz Come to Work … and, just for a fun, a bonus track that I produced for Martay for a compilation I released back in 1995 titled The People Under the Stairs. It was my first long-distance collaboration and involved sending my 4-track cassette to Martay through the US mail, waiting for him to record his verse and then send it back. You kids these days have it so easy with your crazy Internet bandwidth. [...] 1990s, 1993, 1995, Hip-Hop normalbias-org@laze.net no no The Year in Rap – 1995 http://www.normalbias.org/2009/10/15/the-year-in-rap-%e2%80%93-1995/ http://www.normalbias.org/2009/10/15/the-year-in-rap-%e2%80%93-1995/#comments Fri, 16 Oct 2009 01:19:47 +0000 laze http://www.normalbias.org/?p=185 This is the final in The Year in Rap series. Lots of good stuff here, though not my favorite in the series. Some exclusive stuff you’ll find include David J Hip-Hop Central remixes of “Fast Life” and “Mic Check” (where he even lends a verse). Saafir’s “Pull Ya Card” is on here, too, an underappreciated gem from the saucee one, in my opinion.

I had always intended to create cover art for this one, but just ended up printing up some cheesy cover with just the name of the mix and the track listing. I can’t even find a copy of the cover, though I know it’s in the basement somewhere.

Since I don’t have cover art, here’s the track listing.

Side A:

Ear to the Concrete Intro… Laze
Rather Unique… AZ
Fast Life (Hip-Hop Central Remix)… Kool G Rap feat. Nas
Invasion… Jeru the Damaja
Runnin’… Pharcyde
Reprogram… Channel Live
Put It On… Big L
Sandwiches… Count Bass D
Natural Disaster… Supernatural
KMEL Freestyle… Supernatural
MC’s Act Like They Don’t Know… KRS-One
Pull Ya Card… Saafir

Side B:

Side 2 Intro… Laze
Superstar… Group Home
Hole in the Bucket (Live Radio Session)… Spearhead
Honeydips in Gotham… Boogiemonsters
Labels… Genius/Gza
Criminology… Raekwon
No Flow On the Rodeo… King Just
The Nod Factor… Mad Skillz
Elevate… B.U.M.S. (Brothas Under Madness)
Crooklyn (Part II)… Crooklyn Dodgers (Chubb Rock, O.C., and Jeru)
Mic Check (Hip-Hop Central Remix)… Aceyalone

]]> http://www.normalbias.org/2009/10/15/the-year-in-rap-%e2%80%93-1995/feed/ 0 0:43:01 This is the final in The Year in Rap series. Lots of good stuff here, though not my favorite in the series. Some exclusive stuff you’ll find include David J Hip-Hop Central remixes of “Fast Life” and “Mic Check” (wher[...] This is the final in The Year in Rap series. Lots of good stuff here, though not my favorite in the series. Some exclusive stuff you’ll find include David J Hip-Hop Central remixes of “Fast Life” and “Mic Check” (where he even lends a verse). Saafir’s “Pull Ya Card” is on here, too, an underappreciated gem from the saucee one, in my opinion. I had always intended to create cover art for this one, but just ended up printing up some cheesy cover with just the name of the mix and the track listing. I can’t even find a copy of the cover, though I know it’s in the basement somewhere. Since I don’t have cover art, here’s the track listing. Side A: Ear to the Concrete Intro… Laze Rather Unique… AZ Fast Life (Hip-Hop Central Remix)… Kool G Rap feat. Nas Invasion… Jeru the Damaja Runnin’… Pharcyde Reprogram… Channel Live Put It On… Big L Sandwiches… Count Bass D Natural Disaster… Supernatural KMEL Freestyle… Supernatural MC’s Act Like They Don’t Know… KRS-One Pull Ya Card… Saafir Side B: Side 2 Intro… Laze Superstar… Group Home Hole in the Bucket (Live Radio Session)… Spearhead Honeydips in Gotham… Boogiemonsters Labels… Genius/Gza Criminology… Raekwon No Flow On the Rodeo… King Just The Nod Factor… Mad Skillz Elevate… B.U.M.S. (Brothas Under Madness) Crooklyn (Part II)… Crooklyn Dodgers (Chubb Rock, O.C., and Jeru) Mic Check (Hip-Hop Central Remix)… Aceyalone 1990s, 1995, Hip-Hop, Mixtape normalbias-org@laze.net no no B-Versatile: Demos [1994-1995] http://www.normalbias.org/2009/05/27/b-versatile-demos-1994-1995/ http://www.normalbias.org/2009/05/27/b-versatile-demos-1994-1995/#comments Thu, 28 May 2009 00:52:41 +0000 laze http://www.normalbias.org/?p=141 Amongst my stack o’ tapes I have a good number of homemade demos. A few of those people went on to do big things, but most were just tracks made on a cassette 4-track in someone’s bedroom. Remember, back in the early-to-mid 90′s, you couldn’t make a track in a bedroom studio that sounded like a professional production.

I haven’t featured many of those demos on Normal Bias, so I thought I’d start sharing some.

The first is a set of songs by Honolulu, Hawaii-born B-Versatile.

I met B-Versatile in 1994, I think on the alt.rap Usenet newsgroup, where all the hip-hop nerds hung out back in the pre-web days. We decided to collaborate on a track. He was going to school at the University of Pennsylvania, so he took the bus across state lines and joined me and my DJ in New Jersey for a day of bedroom studio recording. The result was a track called “So Damn Tough” (featured below). B-Versatile’s smooth, bassy voice was a good compliment for my all-over-the-place flow. I’m still proud of this track 15 years later, even with all its imperfections.

Early the following year, he put out a three song demo featuring three tracks, “Do You Understand” and two versions of “Put It In Ya Ear.” Here’s a review I wrote for HardC.O.R.E. 3.03 (the first online hip-hop magazine started all the way back in 1993 by OHHLA‘s Flash):

B-VERSATILE, “3 Song Demo”
(Demo Review)

I had the pleasure of working with B-Versatile, the MC out of Honolulu, on the last Lyrical Prophets album, DIG THIS on a track called “So Damn Tough.” He was surprised me with his nice lyrics, ease of delivery, and low tone. After a while, he’s finally completed a 3-song demo on which he handled production as well as lyrics.

The first cut is “Do Ya Understand,” an upbeat, horn and bass tinged track featuring his very laid back flow. The break makes good use of a Lord Finesse sample. As with the following two tracks, some of the lyrics are recognizable from “So Damn Tough.”

The other two cuts are different versions of “Put It In Ya Ear” (’94 and ’95). The ’95 version is far superior. The ’94 version has an overused drum pattern, an overly plain piano loop, and though the break samples (from Wu-Tang and Audio Two) are appropriate, they slip off beat a couple of times. The horns are nice, though.

The ’95 version makes several changes. My personal favorite is the change in the last line of the verse where he gives “Shouts to the Lazy”, but he also switched the samples up and added a beautiful bassline. This is the top track on the tape.

It’s hard to rank a short demo such as this one, but I’ll give it a shot anyway. B-Versatile has got talent and a great ear for music and just needs to work on a few small things here and there. I look forward to hearing more from him and perhaps collaborating with him again soon.

pH Level – 4/pHine [out of 6]

Later in the year, he sent along another demo with three more tracks: “Down to Earth,” “That’s Where My Heart’s At,” and “Freestyle at My House” (which he informs me didn’t actually have a title and made up one on the spot, in 2009).

B-Versatile and his friend Kenny did the productgion production and engineering on these tracks using an old Gemini sampler and a reel-to-reel 8-track. The beats are dope, if occasionally slipping off (such was the curse of cheap samplers back in the day) and there’s a lot of hiss in the recording, but hey — that’s part of the appeal of old demos like this, right?

These days, B-Versatile is working in the camera department on CSI:NY and still dabbles in hip-hop. I’m looking forward to hearing what he’s up to and who knows — perhaps we’ll collaborate a second time, a decade-and-a-half later.

Download all seven tracks in a zip file, or check them out individually:

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